New @ MPL: Staff Recommendation #40: Psych

Tuesday, March 17, 2015

Staff Recommendation #40: Psych

On the surface, comedy and murder mysteries are not two genres that seem tailor-made to compliment one another. But there's something about combining the serious with the silly that can make for fantastic storytelling, and if you want a prime example of that concept in action, look no further than the USA series Psych.

The show tells the story of Shawn Spencer, a guy whose freewheeling ways chafe against the rigorous lessons drilled in him by his father, a Santa Barbara police detective. Despite his determination to avoid following in his dad's footsteps, Shawn can't keep from using his own well-honed powers of observation to call in tips to the police for various unsolvable crimes. But when his astute observations seem a little too on the nose, Shawn finds himself a suspect in the very case he was trying to help solve. Panicking, Shawn blurts out the first thing he thinks of: he knows all these details because he's psychic.

It says something about the character that the police find it easier to believe that Shawn's psychic than to credit this irresponsible trickster with a natural affinity for crime solving. But then, that seems to suit Shawn just fine, as he finagles his way into becoming an official consultant to the Santa Barbara Police Department while also opening his own private psychic detective agency.

Roped in for the ride are Gus, his lifelong best pal who is reluctant (at least at first) to get involved in such shenanigans; and Shawn's dad, now retired, who is none too amused at his son's new profession. But Shawn needs all the help he can get to keep the truth from being discovered by Detectives Carlton Lassiter (who can't stand Shawn from the moment they meet) and Juliet O'Hara (who seems a little more inclined to give Shawn the benefit of the doubt). Luckily for Shawn, his sense of humor is as well-developed as his powers of observation, both being important skill sets when you're a fake psychic -- and a real detective.

The show ran eight seasons, making it a daunting task to know precisely where to begin. So if you'd like to start with a sampling, allow me to recommend a few of my favorite episodes:

- Tuesday the 17th (Season 3)

By the show's second episode, Psych had fun setting their mysteries in quirky places (a Civil War reenactment, a reality show set, and a comic book convention, to name but a few). But by Season Three, the show began to push the creative envelope, changing up not just the settings of the story, but the genre of the episodes themselves.

Tuesday the 17th is arguably the first episode where Psych blends its humorous procedural roots with another genre entirely -- in this case, horror movies. Shawn and Gus are called in to find a missing camp counselor at a closed summer camp, only to find themselves being stalked by a psychotic killer (in proper Friday the 13th fashion). The episode retains its signature humor as it plays and twists the tropes of the horror/slasher genre, which sets the stage for a recurrence of genre-bending episodes.

- Extradition: British Columbia (Season 4)

To make a mystery story work, you need a great detective -- but you also need a great villain. This episode introduces one of my favorites: Pierre Desperaux, an international art thief (played with great mischief and humor by Cary Elwes). Being a thief, rather than a murderer, Desperaux's more trickster than bad guy, and Shawn and Gus must decide exactly how far they can trust such a man. That is, when they're not working themselves out of the trouble that Desperaux continually manages to get them into.

- Dual Spires (Season 5)

Series star James Roday (who also wrote a fair few episodes of the show) is a huge fan of Twin Peaks and was the one to pitch the idea of a Psychified version of that show. The result was "Dual Spires," an episode which pays faithful homage to the David Lynch series while still telling an entertaining story in its own right.

Shawn and Gus travel to Duel Spires after receiving a mysterious email invitation to a local festival, only to find themselves trying to solve the mystery of "Who Killed Paula Merral?" ("Paula Marral" being an anagram of "Laura Palmer," of course.) The episode included seven of Twin Peaks' original cast members, including Ray Wise (Leland Palmer), Lenny Von Dohlen (Harold Smith), Sherilyn Fenn (Audrey Horne), and Laura Palmer herself -- Sheryl Lee.

- Right Turn or Left for Dead (Season 7)

A long-running theme of the show was Shawn's ongoing struggle to decide whether or not he should (or could) come clean about his decidedly un-psychic abilities. When the fallout finally hits, things go … rather poorly.

I consistently enjoyed watching the show expand its storytelling techniques the longer it was on the air, but I was particularly impressed with this Season 7 episode, which employed a storytelling tactic rarely seen outside the realms of science fiction: a splintered timeline. As Shawn grapples with the sudden fallout of his exposed secret, an unexpected taxi ride leads him to discover a badly-injured woman by the side of the road -- a person in desperate need of his help.

But the scenario plays out in two timelines, and, in the other, Shawn's secret stays safe -- but there's no one to help the injured woman, whose eventual murder comes to Shawn's attention when he's called in to investigate. Lives are on the line in more than one sense, and the resulting story is one of the most unique episodes of a procedural I've ever seen -- and a creative look at the ways in which our choices have the most unexpected, and powerful, of consequences.

- The Yin/Yang Trilogy (Seasons 3-5)

Psych is not the only show to combine comedy with the mystery procedural, but, being chock-full of murder and mayhem, it generally keeps a sense of serious stakes beneath the show's fun and frivolity. In a handful of episodes, those high stakes come to the forefront -- as best exemplified in the three episodes centered on Mr. Yang, Santa Barbara's resident serial killer.

Serving as the season finales of seasons three through five, Shawn finds himself the focus of Mr. Yang's psychotic puzzle-games -- on an increasingly personal level, as Yang targets Shawn's friends and family alike. The darker subject material allowed the writers and actors to show us other sides of these characters, while giving added weight to what we already know about them. Plus, Mr. Yang ended up being not only one of my favorite Psych villains -- but one of my favorite fictional baddies of all time.

- A Nightmare on State Street (Season 8)

Written by James Roday, the penultimate episode of Psych is one of their all-time weirdest (I mean that as a high compliment). The episode has the unique distinction of being fan-chosen -- it was filmed after the script's synopsis won the most votes in an online contest pitting it against two other possible episodes.

The fans chose well. The episode sees Gus seeking "dream therapy" (the original title of the episode) for a series of recurring nightmares filled with zombies, monsters, and the Texas Chainsaw Massacre house. The story neatly interweaves with the episode's requisite mystery, but the murder Gus and Shawn are trying to solve takes a backseat to the more pressing problem of Gus's nightmares. Many of the scenes are shot in a style befitting a horror film -- it's one of the most artistically-done episodes of Psych's run, stylistically-speaking -- which intertwines brilliantly with Gus's struggles to come to terms with how rapidly his life and circumstances are changing around him.

Most shows find it difficult to address the emotional fallout of the major changes their characters face in a series finale, mostly because it's hard to explore the issues of a final episode when there are no more episodes to do so in. Psych solves this problem by devoting their next-to-last episode to that very fallout; when the final episode gives our characters a happy place on which to end their current story, the happiness feels earned as a result.

- The Musical

Buffy the Vampire Slayer, Scrubs, That '70s Show, Grey's Anatomy, Ally McBeal, Northern Exposure, Oz … Doing a musical episode has become something of a rite of passage for many television shows. For a show like Psych, which excels in satire and homages, it would almost have been odder if they hadn't done a musical episode at some point in their run.

Psych: The Musical was done as a standalone special, airing during the show's seventh season. The songs were written by showrunner Steve Franks (along with show composer Adam Cohen) and manage to both pay homage to Broadway musicals while also perfectly encapsulating the spirit of the show. (Not to mention, they're quite catchy.)

Read more about the musical here.