Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts
Tuesday, December 9, 2014
Honorable Mentions
Charles Dickens is rightly remembered for such beloved classics as Great Expectations and Oliver Twist -- but his most famous work remains A Christmas Carol. First published on December 17, 1843, the story tells the tale of the miserly Ebenezer Scrooge, and the three Christmas ghosts who appear throughout Christmas Eve night to warm his heart -- and save his soul. It's been adapted dozens of time for stage and screen, and has become an undeniable staple of the holiday season.
But did you know that A Christmas Carol wasn't Dickens's only ghost story? Dickens actually wrote a variety of stories featuring ghosts -- some of which, like The Signal-Man, could be considered outright horror thrillers. (The title character of The Signal-Man works on the railway, and is haunted by a specter who appears before him every time a terrible event is to occur.)
Dickens is not the only author whose own wild success actually overshadowed some of his lesser-known efforts. Here are five more authors whose littler-known works are still undeniably worthwhile:
~ Louisa May Alcott's Thrillers
She's best remembered for writing titles that might now be considered part of the "young adult" genre -- classics like Little Women and Eight Cousins. But Louisa May Alcott wrote several stories for older audiences, usually under the pen name "A. M. Barnard" -- and many of those works were not only thrillers, but stories that dealt with radical issues of nineteenth-century sexism and the constraints of society and culture.
Her most critically-acclaimed work is, arguably, the thriller novella Behind a Mask. The story details the life of Jean Muir, a character with a shady past (she was formerly an actress, a considerably more scandalous profession in the nineteenth century) who has reached her thirtieth birthday still a spinster. And then she finds one last chance to fulfill society's expectations of her: she takes the job of governess in a house with two unmarried sons and one unmarried uncle. She means to adopt the mask of a "little woman" herself -- appearing the perfect example of a polite, respectable young lady (she wins her place as governess with a feigned fainting spell in front of the family) until she ensnares a husband. But Jean's motives are far more clever, and downright manipulative, than what you'd see from the March sisters -- though this may not stop you from rooting for her!
Request Behind a Mask from the Catalog
~ Edgar Allan Poe's Detective Stories
Sherlock Holmes is the name we remember, but C. Ausguste Dupin got there first. While Conan Doyle drew on several inspirations for his Sherlock Holmes character (including his med-school professor Dr. Joseph Bell), he was always quick to praise Edgar Allan Poe for his detective stories that paved the way for Sherlock Holmes. ("Where was the detective story," Conan Doyle once asked, "until Poe breathed the breath of life into it?")
Poe is remembered as the master of horror, but he actually wrote in a wide variety of genres, including science fiction and detective stories. In the latter category, he produced three short stories: Murders in the Rue Morgue, The Mystery of Marie Roget, and my personal favorite, The Purloined Letter. The stories star Dupin, an amateur detective (although the word "detective" had not yet been invented) who assisted the police in a trio of bizarre investigations. He's accompanied in his adventures by our unnamed narrator, who serves as Dupin's closest friend and our window into Dupin's world.
Request the Dupin stories from the Catalog
~ Conan Doyle's Historical Fiction
Most Sherlock Holmes fans already know about Arthur Conan Doyle's love-hate relationship with his most famous fictional creation. While Conan Doyle ultimately seemed to be fond enough of his consulting detective (and also loved writing about the adventures of Professor Challenger in such tales as The Lost World), he always considered his best and most important works to be his historical fiction.
Such historical works include extensively-researched novels like The White Company and Sir Nigel, both set during the Hundred Years' War between the royal houses of England and France. There was also Micah Clarke, a coming-of-age story set in seventeenth-century England that details the religious and political tension of the time; and a series of comical short stories about Brigadier Gerard, a soldier in the French Army during the Napoleonic Wars, who Conan Doyle used to comment on the stereotypes and prejudices that the British and French had for one another.
Request The White Company from the Catalog
Request Sir Nigel from the Catalog
Request Micah Clarke from the Catalog
Request the Brigadier Gerard stories from the Catalog
~ Agatha Christie's Love Stories
Agatha Christie remains the best-selling novelist of all time, beloved for her classic mysteries like And Then There Were None and Murder on the Orient Express, as well as such characters as Hercule Poirot and Miss Marple. But while she has come to be affectionately known as "the Queen of Crime" due to her incredible skills in the mystery genre, she also wrote half a dozen novels of a different sort entirely.
Using the pen name "Mary Westmacott," Christie wrote a series of romance and family stories, referring to them as "bitter-sweet stories about love." The books enjoyed modest success -- much to Christie's delight, as the novels succeeded under their own merits and not due to her name being on the cover (her identity as Westmacott would remain hidden for nearly two decades). She wrote the Westmacott books throughout her life, telling stories that focused not only on romance, but on family relationships between parents and children or between siblings. The results were among the works she was most proud of.
Read an essay about "Mary Westmacott" written by Rosalind Hicks, Christie's daughter
Request Westmacott books from the Catalog
~ Michael Crichton's Medical Thrillers
Before he was a best-selling author of such novels as The Andromeda Strain and Jurassic Park, Michael Crichton was a med student. But while he was earning his MD from Harvard Medical School, Crichton had his first publishing success, writing under the pen names "Jeffery Hudson" and "John Lange."
He published ten mystery thrillers that sold well enough to help pay his way through med school -- no mean feat, as any pressed-for-time med student could tell you. While Crichton viewed them mostly as pulpy entertainment ("I write them fast and the reader reads them fast and I get things off my back," he explained in a 1969 interview), they showcased his skill at engaging characters and tightly-plotted storylines, not to mention a love of research and accuracy. Though Crichton successfully graduated with his MD, it's not surprising to know he turned to writing full-time -- always incorporating his love of science into his stories.
Read more about Michael Crichton's "med school" thrillers
Request A Case of Need from the Catalog
-- Post by Ms. B
Labels:
agatha christie,
arthur conan doyle,
authors,
booklists,
books,
charles dickens,
classics,
edgar allan poe,
historical fiction,
horror,
louisa may alcott,
love stories,
michael crichton,
mysteries
Thursday, November 13, 2014
Staff Recommendation #35: "Coraline" by Neil Gaiman
Coraline is best explained as a family horror story. By "family horror story," I don't mean it's a horror story about family -- although it certainly is that, too -- but rather that it's a horror story suitable for (older) children as well as adults of all ages.
It doesn't start out like a horror story. When we are first introduced to Coraline, her life is actually quite boring. She and her family have just moved to a new town, taking up residence in an ancient house known as the Pink Palace. They've got plenty of colorful neighbors, but no one that Coraline really feels she can be friends with -- and even her parents are too busy with their own tasks and concerns to pay her any attention.
But then Coraline discovers a tiny door in the wall, a door that takes her to a very different version of the Pink Palace. In this world, Coraline meets her Other Mother, a sweet and mischievous doppelgänger of Coraline's real mom. Unlike her real mom, though, the Other Mother always has time for Coraline, making up games and shows and favorite foods, all for Coraline's amusement. Even the neighbors are better.
The set-up is all very boilerplate, author Neil Gaiman's own fairytale version of Lucy in Narnia or Alice in Wonderland. But then the Other Mother offers Coraline a way to remain in this new, enchanting world forever -- and suddenly, Coraline finds herself no longer living in a dream world, but facing, and fighting, a monster.
The book was published in 2002, and went on to win both the Hugo and Nebula Awards for Best Novella. It was also released as a film in 2009, directed by Henry Selick (the director behind The Nightmare Before Christmas), and it was as a film that I first experienced the story. It's not a bad place to start; the movie is both a gorgeously-rendered (and brilliantly-acted) film in its own right, while also being spectacularly faithful to the book it's based on.
But however you choose to approach the story, what makes it so special is not the spine-chilling horror elements in and of themselves. Instead, it is in watching Coraline find the courage, determination, and resourcefulness necessary to defeat the darkness. It transforms Coraline from a heartless horror story into a Hero's Journey about facing the monsters and finding your courage. To borrow the quote that opened the book, observed by G.K. Chesterton (as paraphrased by Neil Gaiman):
It doesn't start out like a horror story. When we are first introduced to Coraline, her life is actually quite boring. She and her family have just moved to a new town, taking up residence in an ancient house known as the Pink Palace. They've got plenty of colorful neighbors, but no one that Coraline really feels she can be friends with -- and even her parents are too busy with their own tasks and concerns to pay her any attention.
But then Coraline discovers a tiny door in the wall, a door that takes her to a very different version of the Pink Palace. In this world, Coraline meets her Other Mother, a sweet and mischievous doppelgänger of Coraline's real mom. Unlike her real mom, though, the Other Mother always has time for Coraline, making up games and shows and favorite foods, all for Coraline's amusement. Even the neighbors are better.
The set-up is all very boilerplate, author Neil Gaiman's own fairytale version of Lucy in Narnia or Alice in Wonderland. But then the Other Mother offers Coraline a way to remain in this new, enchanting world forever -- and suddenly, Coraline finds herself no longer living in a dream world, but facing, and fighting, a monster.
The book was published in 2002, and went on to win both the Hugo and Nebula Awards for Best Novella. It was also released as a film in 2009, directed by Henry Selick (the director behind The Nightmare Before Christmas), and it was as a film that I first experienced the story. It's not a bad place to start; the movie is both a gorgeously-rendered (and brilliantly-acted) film in its own right, while also being spectacularly faithful to the book it's based on.
But however you choose to approach the story, what makes it so special is not the spine-chilling horror elements in and of themselves. Instead, it is in watching Coraline find the courage, determination, and resourcefulness necessary to defeat the darkness. It transforms Coraline from a heartless horror story into a Hero's Journey about facing the monsters and finding your courage. To borrow the quote that opened the book, observed by G.K. Chesterton (as paraphrased by Neil Gaiman):
"Fairy tales are more than true -- not because they tell us dragons exist, but because they tell us dragons can be beaten."
Thursday, June 26, 2014
Monsters Inc.
This June 20th marked the 39th anniversary of one of the most classic monster movies of all time. Based on an original novel by Peter Benchley, Jaws was a smash hit that briefly held the record of the world's highest-grossing film (Star Wars would claim the top spot just a few years later). With an Oscar-winning score, and one of the most famous film lines in Hollywood history ("You're gonna need a bigger boat"), this story of a great white shark terrorizing the tourists of Amity Island arguably invented the modern-day summer blockbuster.
But "Bruce" (the nickname given to the giant, animatronic shark used in shooting the film) was not the first great movie monster, and certainly not the last. Read on to see our top five picks of the film world's most famous -- and infamous -- movie monsters.
-- Request the film "Jaws" from the Catalog
-- Request the book "Jaws" from the Catalog
5. The Alien
Killer aliens have been a dime a dozen in Hollywood for decades, showing up in everything from The Avengers to Independence Day. But for the ultimate in alien monsters, the title character of director Ridley Scott's Alien series is surely in the top spot.
These monsters have a complex -- and completely horrifying -- growth cycle, implanting their eggs inside human hosts only to have their baby "chestbursters" live up to their names in gruesome and bloody film spectacle. Luckily, Sigourney Weaver's tough-as-nails Ellen Ripley is exactly the heroine needed to keep these Aliens, and their Queen, at bay.
Still, even with Ripley on the side of humanity, this is one movie monster you wouldn't want to meet!
-- Request "Alien" from the Catalog
-- Request "Aliens" from the Catalog
-- Request "Alien 3" from the Catalog
-- Request "Alien Resurrection" from the Catalog
4. Cujo
From artist Laz Marquez
He didn't start out a monster. Before being bitten by a rabid bat, Cujo was a sweet and good-natured St. Bernard, who wanted nothing more than to be a good dog and please his masters. Of course, it's precisely his gentle nature that makes Cujo's transformation from family friend to rabid beast so horrifying.
Both the film and the original Stephen King novel follow the story of Donna Trenton and her young son, Tad. Though Cujo is not the Trentons' dog, it is Donna and Tad who end up trapped in a stalled car, facing off against the now-monstrous Cujo. With no way out and no way to contact help, it becomes a race against time for Donna to get herself and her young son to safety. And if you think you know how the story ends, well ...
-- Request the book from the Catalog
-- Request the film from the Catalog
3. Gizmo
This cuddly little stuffed animal doesn't look deserving of a place on a list of classic monsters. But that's the thing about gremlins: if you want to keep them cute and cuddly, there's three very specific rules to follow. Don't get them wet, don't expose them to bright lights -- and, whatever you do, no matter how much they beg, never feed them after midnight.
But, of course, nobody wants a monster movie where everything goes according to plan. When young Billy Peltzer fails to follow the rules about his new pet, hilarity -- and horror -- promptly ensue. While it's a bit of family-friendly fare for older kids, this movie is notable for helping to bring about the classification of a new movie rating: PG-13.
-- Request "Gremlins" from the Catalog
2. King Kong
He's not completely monstrous -- maybe just a little misunderstood. Kong, a giant gorilla living a solitary life on a little-visited island, is captured by an ill-intentioned filmmaker who plans to bring Kong back to New York City and show him off as "the eighth wonder of the world."
This goes off about as well as can be expected, and the only thing which keeps Kong from bringing down the whole city is a squadron of fighter jets ... and Ann Darrow, the beautiful actress who Kong wants only to protect. The film ends with another line that lives on in movie history: "Oh, no, it wasn't the airplanes ... it was Beauty killed the Beast."
-- Request the classic film from the Catalog
-- Request the 1976 remake from the Catalog
-- Request the 2005 remake from the Catalog
1. Godzilla
With 28 films made by the Japanese production company Toho Studios (and several more American adaptations), Godzilla is arguably the most famous movie monster of all time. Originally appearing on the silver screen less than a decade after the World War II atomic bombings of Hiroshima and Nagasaki, Godzilla himself served as a metaphor for the horrors of nuclear power. Awakened and fueled by nuclear energy, Godzilla had catastrophic effects on the cities he attacked.
At least, at first. As time went on, and Godzilla became embedded in the public consciousness, the character saw a shift -- changing from mindless monster to unlikely hero. These days, a Godzilla movie is more likely to show this dinosaur-like creature fighting off other monstrous "enemies" and saving the humans around him -- as can be seen in the new blockbuster film released this summer.
(And no, we don't speak of the 1998 Matthew Broderick film. We just don't.)
-- Request the original 1954 film from the Catalog
-- Request "Mothra vs. Godzilla" from the Catalog
-- Request "Godzilla vs. King Ghidorah" from the Catalog
-- Request "Godzilla: Final Wars" from the Catalog
-- Post by Ms. B
Labels:
action,
adventure,
characters,
horror,
movie lists,
movies,
sci-fi
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